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In October 1871, a simmering, small-scale turf war involving three Chinese gangs exploded into a riot that engulfed the small but growing town of Los Angeles. A large mob of white Angelenos, spurred by racial resentment, rampaged through the city and lynched some 18 people before order was restored. In The Chinatown War, Scott Zesch offers a compelling account of this little-known event, which ranks among the worst hate crimes in American history. The story begins in the 1850s, when the first wave of Chinese immigrants arrived in Los Angeles in the wake of the 1849 California gold rush. Upon arrival, these immigrants usually took up low-wage jobs, settled in the slum neighborhood of the Calle de los Negros, and joined one of a number of Chinese community associations. Though such associations provided job placement and other services to their members, they were also involved in extortion and illicit businesses, including prostitution. In 1870 the largest of these, the See-Yup Company, imploded in an acrimonious division. The violent succession battle that ensued, as well as the highly publicized torture of Chinese prostitute Sing-Ye, eventually provided the spark for the racially motivated riot that ripped through L.A. Zesch vividly evokes the figures and events in the See-Yup dispute, deftly situates the riot within its historical and political context, and illuminates the workings of the early Chinese-American community in Los Angeles, while simultaneously exploring issues that continue to trouble Americans today.Engaging and deeply researched, The Chinatown War above all delivers a riveting story of a dominant American city and the darker side of its early days that offers powerful insights for our own time.

Eddie Fung has the distinction of being the only Chinese American soldier to be captured by the Japanese during World War II. He was then put to work on the Burma-Siam railroad, made famous by the film The Bridge on the River Kwai. In this moving and unforgettable memoir, Eddie recalls how he, a second-generation Chinese American born and raised in San Francisco's Chinatown, reinvented himself as a Texas cowboy before going overseas with the U.S. Army. On the way to the Philippines, his battalion was captured by the Japanese in Java and sent to Burma to undertake the impossible task of building a railroad through 262 miles of tropical jungle.Working under brutal slave labor conditions, the men completed the railroad in fourteen months, at the cost of 12,500 POW and 70,000 Asian lives. Eddie lived to tell how his background helped him endure forty-two months of humiliation and cruelty and how his experiences as the sole Chinese American member of the most decorated Texan unit of any war shaped his later life.

This book is a definitive history of Chinatowns in Canada. From instant Chinatowns in gold- and coal-mining communities to new Chinatowns which have sprung up in city neighbourhoods and suburbs since World War II, it portrays the changing landscapes and images of Chinatowns from the late nineteenth century to the present. It also includes a detailed case study of Victoria's Chinatown, the earliest such settlement in Canada.

Rise of a Japanese Chinatown is the first English-language monograph on the history of a Chinese immigrant community in Japan. It focuses on the transformations of that population in the Japanese port city of Yokohama from the Sino-Japanese War of 1894-1895 to the normalization of Sino-Japanese ties in 1972 and beyond. Eric C. Han narrates the paradoxical story of how, during periods of war and peace, Chinese immigrants found an enduring place within a monoethnic state.This study makes a significant contribution to scholarship on the construction of Chinese and Japanese identities and on Chinese migration and settlement. Using local newspapers, Chinese and Japanese government records, memoirs, and conversations with Yokohama residents, it retells the familiar story of Chinese nation building in the context of Sino-Japanese relations. But it builds on existing works by directing attention as well to non-elite Yokohama Chinese, those who sheltered revolutionary activists and served as an audience for their nationalist messages. Han also highlights contradictions between national and local identifications of these Chinese, who self-identified as Yokohama-ites (hamakko) without claiming Japaneseness or denying their Chineseness. Their historical role in Yokohama's richly diverse cosmopolitan past can offer insight into a future, more inclusive Japan.

Bilingual (English/Korean); part of the Modern Korean Short Stories Series. Korea was an arduous and painstaking place to live in after the nation's civil war. Incheon, one of the war's most famous backdrops, provides the setting for Chinatown, the story of life in one of the ubiquitous shantytown areas that dotted the Korean landscape at the time, and is a painfully real account of what many suffered through. It is also a grim tale of how Koreans, American soldiers and Chinese vendors failed to understand each other on any meaningful level.

Set in San Francisco's Chinatown during World War IIDuring World War II, children everywhere worked hard to help the war effort. When they organize a paper drive at Nim's school, Nim is determined to prove that she, a Chinese American, is patriot enough to collect the most papers, though she faces stiff competition from school bully Garland Stephenson and disapproval from her very traditional grandfather In this tender and funny story, Milly Lee and Yangsook Choi give us a true and glowing slice of life in San Francisco's Chinatown as spunky, resourceful Nim shows that she can be true both to her country and to her heritage.

Driven Out exposes a shocking story of ethnic cleansing in California and the Pacific Northwest when the first Chinese Americans were rounded up and purged from more than three hundred communities by lawless citizens and duplicitous politicians. From 1848 into the twentieth century, Chinatowns burned across the West as Chinese miners and merchants, lumberjacks and fieldworkers, prostitutes and merchants' wives were violently loaded onto railroad cars or steamers, marched out of town, or killed. But the Chinese fought back―with arms, strikes, and lawsuits and by flatly refusing to leave. When red posters appeared on barns and windows across the United States urging the Chinese to refuse to carry photo identity cards, more than one hundred thousand joined the largest mass civil disobedience to date in the United States. The first Chinese Americans were marched out and starved out. But even facing brutal pogroms, they stood up for their civil rights. This is a story that defines us as a nation and marks our humanity.

Corruption. Extortion. Sometimes, even assassination. For the tradition-bound mob bosses of Manhattan's Chinatown, there are age-old ways of running things. And now there's police captain Stanley White's way. Mickey Rourke portrays White, a war veteran who has a Vietnam-sized chip on his shoulder when dealing with an emerging blood feud in Chinatown. John Lone plays the crime lord standing in the line of fire of White's relentless campaign. And Academy Award-winning director Michael Cimino (The

Asian-American P.I. Lydia Chin is led into a baffling case of deception, murder, and gang war after being called in to investigate a not-so-simple theft from New York City's Chinatown Museum

Warrior: The Complete First Season - While moving to San Francisco from China in order to find his Sister, Ah Sahm must use his martial arts skills to survive being thrown into the middle of the Tong Wars. Upon arriving in San Francisco, he is quickly sold to one of the highest ranking tongs in Chinatown, which puts him in constant danger, but he must follow orders and stay alive in order to find his sister.

As a young boy, Pao comes to Jamaica in the wake of the Chinese Civil War and rises to become the Godfather of Kingston's bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

Told through the reminiscences of the three young children of an immigrant Chinese family, an uplifting novel captures the realities of prejudice, the mishaps of adolescence, and the horrors of an impending world war, in Vancouver's Chinatown during the early 1940s.

Asian-American P.I. Lydia Chin is led into a baffling case of deception, murder, and gang war after being called in to investigate a not-so-simple theft from New York City's Chinatown Museum

A 2011 Los Angeles Times Book Prize Finalist February, 1940. In San Francisco's Chinatown, fireworks explode as the city celebrates Chinese New Year with a Rice Bowl Party, a three day-and-night carnival designed to raise money and support for China war relief. Miranda Corbie is a 33-year-old private investigator who stumbles upon the fatally shot body of Eddie Takahashi. The Chamber of Commerce wants it covered up. The cops acquiesce. All Miranda wants is justice--whatever it costs. From Chinatown tenements, to a tattered tailor's shop in Little Osaka, to a high-class bordello draped in Southern Gothic, she shakes down the city--her city--seeking the truth. An outstanding series debut.

An historical portrait of San Francisco is created through a view of the development of Chinatown from the era of immigration in the late 1800s through the years of World War II to the present